He Looks Good in Death?

Today,

I look at a friend,

A colleague,

Hopefully resting in peace,

Waiting,

To be taken

To his final resting place.

 

We are taught

Not to speak ill of the dead.

I have no “ill words” for my friend,

My colleague,

But I have words for death.

 

Death comes,

And for the most part,

It’s unexpected,

Unwelcomed.

 

Death is not becoming.

I don’t think anyone looks good

In death.

 

Undertakers are tasked

With making the dead

Look good –

An impossible undertaking.

Death becomes no one.

 

I look at my friend,

My colleague.

I think of all the yesterdays we shared,

And how he’ll have no more tomorrows.

 

Today,

I don’t mourn my friend,

My colleague.

 

I am…unmistakably… sad –

Maybe because we are the same age.

I don’t celebrate his life –

It’s been cut too short.

 

I think of all the words we say

To comfort ourselves in death,

But I have no words

To express this … unmistakable … sadness.

Biblical verses

And Shakespearean phrases

Take center stage in my mind,

But they don’t perform.

They know this is the final Act.

 

I shed a solitary tear for my friend,

For myself,

Offer it to Death,

Not knowing if it means anything,

Not knowing…

 

For Darryl Freeman

(1960-2018)

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About William Eric Waters, aka Easy Waters

William Eric Waters is an award-winning poet, fiction writer, essayist, educator, criminal-justice scholar, and nonprofit executive. Writing as William E. Waters, he is the author of the epic poem Black Shadows and Through the White Looking Glass and three poetry collections: Sometimes Blue Knights Wear Black Hats, The Black Feminine Mystique, and The Black Blood of Poetry. Under the pen name Easy Waters, he is the author of the novel Streets of Rage and the short-story collection Conundrums: Stories of Law & Justice. His work explores Black history, race, law, punishment, institutional power, accountability, redemption, and resilience.
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