This day in history — April 10, 1956 — Nat King Cole Attacked by White Men While Performing in Birmingham, Alabama

On April 10, 1956, African American singer and pianist Nat King Cole was performing before a white-only audience of 4000 at the Municipal Auditorium in Birmingham, Alabama, when he was attacked and knocked down by a group of white men. The attack happened so quickly that some audience members believed the attackers had rushed the stage to attack a drunk man near the front row who had been jeering at Mr. Cole, “Negro, go home.” Police present at the concert in case of trouble apprehended Cole’s attackers quickly. Four men were charged with inciting a riot while two others were held for questioning. Outside the arena, officers later found a car containing rifles, a blackjack, and brass knuckles.

Nat King Cole was born in Montgomery, Alabama, in 1919 and moved with his family to Chicago as a child. He was a popular national performer in 1956 and, in observance of Birmingham’s racial segregation laws, had scheduled separate performances for white and black audiences. The night before the attack, he performed before a segregated audience in Mobile, Alabama, and was booed by scattered members of the crowd.

After the attack during the Birmingham whites-only show, Mr. Cole returned to the stage and received a ten-minute standing ovation but did not finish the concert. “I just came here to entertain you,” he told the crowd. “That was what I thought you wanted. I was born in Alabama. Those folks hurt my back. I cannot continue, because I need to see a doctor.” After being examined by a physician, Mr. Cole went on to perform at the scheduled blacks-only show later that night.

From the Equal Justice Initiative’s A History of Racial Injustice – 2018 Calendar.

“The Equal Justice Initiative (EJI) is proud to present A History of Racial Injustice – 2018 Calendar.  America’s history of racial inequality continues to undermine fair treatment, equal justice, and opportunity for many Americans.  The genocide of Native people, the legacy of slavery and racial terror, and the legally supported abuse of racial minorities are not well understood.  EJI believes that a deeper engagement with our nation’s history of racial injustice is important to addressing present-day questions of social justice and equality.

Unknown's avatar

About William Eric Waters, aka Easy Waters

William Eric Waters is an award-winning poet, fiction writer, essayist, educator, criminal-justice scholar, and nonprofit executive. Writing as William E. Waters, he is the author of the epic poem Black Shadows and Through the White Looking Glass and three poetry collections: Sometimes Blue Knights Wear Black Hats, The Black Feminine Mystique, and The Black Blood of Poetry. Under the pen name Easy Waters, he is the author of the novel Streets of Rage and the short-story collection Conundrums: Stories of Law & Justice. His work explores Black history, race, law, punishment, institutional power, accountability, redemption, and resilience.
This entry was posted in Justice Chronicles, Lest We Forget, Race, History & American Society and tagged , , , , . Bookmark the permalink.

Leave a comment